Twilight of the Gods Christian Review

You might think that if Zack Snyder turned his lens toward Norse mythology, the result would be something epic, profound, maybe even revelatory. And, in a way, it is epic, just not quite in the way you’d hope. “Twilight of the Gods” starts off promising, with a rich, grim atmosphere that plunges us into the heart of ancient myths. You’ve got gods and warriors, brutal showdowns, and a setting that feels lifted straight out of an age when heroes clashed with monsters, and the fate of worlds hung in the balance. But the show’s ambition is also its Achilles’ heel.

It tries to juggle too much: it’s a bloody revenge tale, a tragic love story, a family saga—everything wrapped up in a swirling maelstrom of violence, lust, and betrayal. It’s a spectacle for sure, but a hollow one. As a Christian viewer, it feels a little like watching a beautiful painting only to realize it’s missing its most important layer of meaning. It’s stunning to look at, but spiritually, it’s empty.

Lust, Blood, and… Oh, More Blood

Here’s where it gets tricky. Snyder doesn’t hold back—this isn’t a watered-down, sanitized version of Norse mythology. Quite the opposite, in fact. The violence is so visceral, so in-your-face, that you start to feel a little numb after a while. Every sword strike, every axe swing, every guttural scream feels like it’s meant to hit you right in the chest. But after the first couple of episodes, you start to wonder: what’s the point of all this carnage?

In a way, it’s like sitting through a two-hour action scene that just keeps ramping up and up without ever letting you catch your breath. There’s no time to process, no time to reflect. And maybe that’s the intention. Maybe Snyder wants you to feel as overwhelmed as his characters, caught in the chaos of a world where violence is just a way of life. But as a Christian, it’s hard not to feel uncomfortable. There’s no room for grace here, no hint that maybe, just maybe, there’s a better way to handle conflict than cutting someone’s head off.

And then there’s the sex. Oh, there’s not a lot of it—don’t get me wrong. But when it’s there, it’s treated with the same intensity as the violence. It’s all about power, dominance, raw desire. There’s no love, no tenderness, no respect. It’s not presented as a natural, beautiful part of life; it’s just another form of conquest. And that’s where the show really starts to lose its moral compass.

Sigrid: The Strong Female Lead We’re Meant to Cheer For

One of the show’s few redeeming qualities is its protagonist, Sigrid. She’s strong, fierce, driven by a desire for vengeance that’s almost painful to watch. But there’s more to her than just anger. Beneath that hard exterior, there’s a vulnerability that makes her feel real, human. You can’t help but root for her, even when she’s making terrible decisions. There’s something compelling about seeing a female character who’s allowed to be messy, flawed, who’s not just a token “strong woman” but a fully fleshed-out person with her own desires, her own agenda.

But again, there’s a problem. For all her strength, Sigrid’s story is just as dark, just as empty as the rest of the show. She’s a character built on revenge, driven by a need to hurt those who hurt her. And while the show tries to explore her grief, it doesn’t really resolve it. There’s no redemption for Sigrid, no peace. By the end, she’s still trapped in the same cycle of violence and pain that started her journey. It’s frustrating, because you want to see her grow, change, find hope. But that’s not the kind of story “Twilight of the Gods” wants to tell.

The Perils of Style Over Substance

For all its flaws, though, there’s one thing you can’t deny: “Twilight of the Gods” looks amazing. The animation is slick, the fight scenes are choreographed like brutal, beautiful dances, and the world of Norse mythology feels alive in a way that few other adaptations have managed. Snyder’s style is unmistakable. Every shot feels like it’s been painstakingly crafted to look as epic, as dramatic, as larger-than-life as possible.

But that’s also the problem. It’s all style, no substance. The show is so busy looking good that it forgets to say anything meaningful. There’s no moral core here, no deeper message. It’s just a parade of beautiful, bloody images that leave you feeling hollow. As a Christian, it’s hard not to feel uneasy. The Bible calls us to focus on what is true, honorable, just, pure, lovely, commendable (Philippians 4:8). But “Twilight of the Gods” is none of these things. It’s a dark, twisted fantasy that revels in the worst parts of human nature.

Does It Have Any Redeeming Qualities?

If you’re a diehard Zack Snyder fan, there’s probably something here for you. The show is undeniably him—dark, moody, with that same sense of grandeur that’s marked all his work. And if you’re an animation lover, you’ll appreciate the craftsmanship, the way every scene feels alive, pulsing with energy.

But for everyone else, it’s hard to recommend. The show’s mature themes, heavy violence, and lack of moral grounding make it a tough watch for anyone looking for something with real substance. Sure, there are flashes of brilliance—moments when the dialogue soars, when the characters feel real, when you catch a glimpse of the deeper story that could have been. But those moments are few and far between. Most of the time, you’re left wading through a sea of blood and lust, wondering what, if anything, the show is trying to say.

Final Thoughts: Is “Twilight of the Gods” Worth Watching?

So where does that leave us? Is “Twilight of the Gods” worth your time? As a Christian, I’d say no. There’s too much darkness, too little light. It’s a show that glorifies violence, that treats sex as a tool of power, that offers no hope, no redemption. It’s all shadows, no sunlight. And that’s a shame, because the potential is there. The setting, the characters, the themes—all of it could have been something great. But Snyder, as usual, is more interested in how things look than in what they mean.

In the end, “Twilight of the Gods” is a beautiful, bloody mess. It’s got style in spades, but no heart. If you’re looking for a show that’s going to challenge you, inspire you, maybe even point you toward something bigger than yourself, look elsewhere. But if all you want is a dark, violent fantasy with a lot of eye candy, then maybe, just maybe, it’s worth a watch. Just don’t expect to walk away feeling fulfilled.

Rating: 3/10

It’s a feast for the eyes, but one that leaves the soul hungry.