Red Rooms Christian Review

Red Rooms isn’t just a film; it’s more like an experience that leaves you in a space where you’re forced to confront things you don’t necessarily want to. Imagine sitting in a theater, the tension thick enough that you can practically feel it in the air. The audience is collectively holding its breath—not because of some impending jump scare or dramatic chase scene, but because the film draws you into a psychological abyss where the real horror lies in the mind and soul.

That’s where Red Rooms places its bets: it’s not out to shock you with blood or jump scares but to creep into your psyche and stay there long after the final scene. For those of us who appreciate films that challenge the way we see the world, this is gripping. But, if you’re a Christian viewer trying to navigate modern media’s moral gray areas, Red Rooms throws some challenging questions your way.

An Obsession with Obsession

At its core, Red Rooms is about obsession—specifically, the unhealthy obsession that our society has with crime. True crime, as a genre, has exploded. Podcasts, documentaries, and books focus endlessly on infamous cases, rehashing every detail. We’ve become a culture that consumes horror as entertainment, and the line between fascination and voyeurism blurs.

The film’s central character, Kelly-Anne, embodies this very fixation. She’s mysterious, almost stoic, yet her calm exterior masks an internal darkness. She’s the kind of character who forces you to watch closely—because it feels like at any moment, something might give, and her fragile mask of control will slip. But it’s that very ambiguity that Red Rooms thrives on, pulling the audience into the mystery of Kelly-Anne’s mind. You’re never quite sure where the line is between her demons and the culture that’s fed them.

For Christian audiences, this presents a fascinating but troubling angle. The Bible warns against becoming fascinated by evil or entertained by dark things (Romans 12:2). Yet, here we are, in a world where stories about serial killers and crime are not just popular—they’re practically a staple of entertainment. Red Rooms holds up a mirror to this phenomenon, asking, “How far is too far?”

No Gore, No Screams—Just Unease

One of the most interesting aspects of Red Rooms is how it builds tension without relying on the typical crutches of modern thrillers. No one’s jumping out from behind a corner, and there’s no gratuitous violence splashed across the screen. Instead, the tension is psychological—rooted in Kelly-Anne’s unnerving calmness and the way the film explores her online presence.

It’s easy to assume that, without violence, a thriller can’t be as impactful. But here’s where Red Rooms proves that wrong. The horror doesn’t come from external events but from internal struggles—the things we hide, the masks we wear, and the quiet way that darkness can consume a person.

For some Christian viewers, this might be a relief—after all, it’s not explicit violence or gore we’re dealing with. Yet, the emotional weight of the film can be just as disturbing. The Bible talks a lot about what we let into our hearts and minds. Philippians 4:8 urges us to focus on what’s pure, lovely, and admirable. But what happens when we’re drawn into a film that lives in the space of what’s twisted and dark?

The Lure of Darkness

There’s no getting around it: Red Rooms is a film steeped in moral ambiguity. It doesn’t spoon-feed you answers, nor does it paint its characters in clear shades of good or evil. Kelly-Anne’s character, in particular, is a moral puzzle. You find yourself wanting to understand her motivations, but the film keeps her just out of reach.

For some viewers, this ambiguity is thrilling—after all, life isn’t black and white, and art should reflect that complexity. But for others, especially those approaching the film from a Christian worldview, this lack of moral clarity can be uncomfortable. We live in a culture that, at times, glorifies darkness under the guise of complexity. Yet, Christians are called to be in the world but not of it (John 17:14-15), to resist being conformed to the patterns of this world.

This raises an important question: Is Red Rooms glorifying the darkness it portrays, or is it simply holding up a mirror to our own cultural obsessions? There’s no easy answer here. Some might argue that the film is a cautionary tale—a look at what happens when we let ourselves get too close to the edge. Others might see it as feeding into the very obsession it critiques.

A Cautionary Tale?

While Red Rooms doesn’t offer explicit moral guidance, it does leave room for interpretation. For some, the film could be viewed as a warning—about the dangers of living without accountability, about the emptiness that comes from feeding an obsession rather than addressing deeper issues. Kelly-Anne’s character, though enigmatic, is also deeply flawed, and her unraveling could be seen as a cautionary tale about the costs of becoming too immersed in darkness.

In a way, Red Rooms touches on themes of sin and its consequences without ever naming them as such. It shows what happens when someone is consumed by their compulsions when they lose sight of truth and become disconnected from real moral grounding. For Christian viewers, this might resonate as a depiction of the wages of sin—the slow, quiet unraveling that happens when someone is trapped in a web of their own making.

But here’s the thing: Red Rooms doesn’t give you a clean resolution. There’s no redemption arc, no tidy ending where good triumphs over evil. Instead, it leaves you with a lingering sense of unease, as if the darkness hasn’t been fully dealt with. And for many Christian viewers, that’s going to feel incomplete. After all, the Christian narrative offers hope amid darkness, a way out of the abyss. But Red Rooms never quite gets there—it’s content to leave you in the shadows.

Final Thoughts: A Film That Lingers

In the end, Red Rooms is a film that’s hard to pin down. It’s uncomfortable, thought-provoking, and deeply unsettling. For those who enjoy psychological thrillers, it offers a masterclass in tension and subtlety. But for Christian viewers, the film’s ambiguous moral stance and its focus on the darker sides of human nature may not sit well.

The Bible calls us to guard our hearts and minds and to focus on what is pure, noble, and lovely. And while Red Rooms is certainly thought-provoking, it’s hard to argue that it aligns with these values. It forces us to confront uncomfortable truths about ourselves and our culture, but it doesn’t offer much in the way of hope or redemption.

Rating: 5/10 Technically accomplished and undeniably compelling, Red Rooms might be too dark and morally ambiguous for many Christian viewers. It asks important questions but offers little resolution, leaving its audience in a place of lingering unease.